The nude is inspired to the sculpture for Giuliano de’Medici duke of Nemours’ funeral monument, in Sagrestia di San Lorenzo, Florence. There is no sadness at all. The posture of
![Gen. ‘Vrangel bei Murnau](https://www.zalmoxisproject.com/wp-content/uploads/2016/09/Gen.-Vrangel-bei-Murnaui.jpg)
Even when he abandoned Russia with his eponymous fleet, moved to Serbia and then to Belgium to meet his own dead, Gen. ‘Vrangel (von Wrangel, as a German Baltic) did
![Mary Queen of Stars](https://www.zalmoxisproject.com/wp-content/uploads/2016/09/Mary-Queen-of-Stars.jpg)
This painting was conceived as a Madonna sent back to her own times. A veil as an anticipated Hijab. A meditation about the crown of stars which surrounds the head.
![City Kills](https://www.zalmoxisproject.com/wp-content/uploads/2016/09/City-Kills.jpg)
This is dark Pop. Plain. An American icon on the foreground. AC Cobra. This car is featured In some other paintings, now in United States and Poland. Retro-chic. Awfully expensive.
![Linus](https://www.zalmoxisproject.com/wp-content/uploads/2016/09/Linus.jpg)
Bright colors, but this is no joyful painting. We are hosted in an elegant lounge, a wide window overlooking midtown Manhattan, a young gentleman comfortably settled on a design sofa,
![Nymphe (Schiksa)](https://www.zalmoxisproject.com/wp-content/uploads/2016/09/Nymphe-Schicksa.jpg)
“Before war, our peasant girl’s ankles were much thicker than now”, comments the titled protagonist of “The Resurrection of Maltravers” by Alexander Lernet-Holenia, talking to his brother, both of them
![Riga, 1919](https://www.zalmoxisproject.com/wp-content/uploads/2016/09/Riga-1919.jpg)
This painting stems from literature and history. But first of all, it is out of personal history. Riga, the capital of Lettonia, was a place where we used to live,
![Ehepaar](https://www.zalmoxisproject.com/wp-content/uploads/2016/09/Ehepaar.jpg)
This is double profile portrait of a married couple, as from it German title. They both stand, his own a volitional expression, hers a more enigmatic gaze of seduction. They
![Black Dancer with Satyr](https://www.zalmoxisproject.com/wp-content/uploads/2016/09/Black-Dancer-with-Satyr.jpg)
A dancing Satyr is on the background, apparently a full figure portrait. His posture, arching backward , is typical in the iconography of the ecstatic dance of Maenads and Satyrs,